– 2003
GDCA National –
October 27, 2003 – My last
minute decision to open a vendor's booth at the GDCA National Specialty
left me scurrying around in a mad attempt to get everything ready
before heading out to Orlando on October 18. One causality of
the process was last week's DaDane, which never quite materialized.
I thought I might be able to post something while I was at the show,
but I had little, if any, free time.
Normally I shoot many hundreds of photos
at the National, but not this year. Instead I concentrated on running
my
booth and shooting photos that will be used later in commissioned
work. This week's portrait is a "sketch" for a new commissioned
piece. Since the work is still in progress, I am not identifying
the dog – a
young female – just yet. When the portrait is complete I'll
run a story on her.
Having a booth at the National was great
fun. Lots of old friends stopped by and I met
many
new
people.
My
merchandise consisted of limited edition prints (framed and unframed)
and open
edition pigment prints. I didn't know what to expect in terms of
sales, but naturally I hoped to realize some profit. The booth did
quite well, as it turned out, and I'm already thinking about next
year's show.
Special Thanks
I want to thank jeweler Kathy Gammill for hauling her "extra"
EZ-Up tent all the way from Tennessee just so I could use it for
my booth. That was a real act of kindness. Kathy's booth was right
across from mine and I enjoyed seeing her smiling face everyday.
Plus, I am madly in love with Alex, the big ol' Great Dane who accompanies
Kathy
everywhere
she goes. (I'll have a story on him soon.) I'm also grateful to
Paula Stebbins for helping me set up every morning and knock down
each night. She often watched over things when I had to leave the
booth and helped out when things got busy. She's a good
buddy and I appreciate her friendship. Thanks also to Amy and Ben
Johnson (greatdanephotos.com) who shared hot pizza, loaned a firewire
cable, and "talked
shop" with me. They did a fantastic
job of shooting the shows each day and then working late into the
night to get everything online by the following morning. If you haven't
seen it already, check out their daily
photo coverage of the Nationals. You'll find complete results
with accompanying photos. I'd like to add that Amy
was shooting under the extremely difficult lighting
conditions and she got remarkable results.
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